5 Fact Thursday- A Room in Blake's Folly @JArleneCuliner #western #romance #historical
1. In the first half of the 1800s, women were scarce in the West, and husband-hunters, whether ugly or good-looking, mean-tempered, sharp-tongued, or sugar sweet easily found partners. By the 1880s, things had changed. Women fleeing domestic service, poor farms, millwork, or factory toil, were arriving in abundance and men could take their pick.
2. Men looking for wives in the Far West usually went for young, fresh, strong women who would raise children, attend to harvests, garden work, laundry, scrounge for firewood, and cook. Many men were looking for women to replace previous wives who had died during childbirth or from sheer exhaustion.
3. Without experience in the working world, older women who were widows, or who had been abandoned or divorced hoped their grown children would take them in. However, not every couple wanted a mother or mother-in-law in residence unless she was still strong enough to help out with the drudgery. The many who found no home with their children were often reduced to begging.
4. Although prohibition effectively cut off Nevada’s much-needed tax revenue, it didn’t reduce social drinking. In one year alone, the 90,000 Nevada residents managed to wangle 10,000 prescriptions for medicinal alcohol.
5. We can still remember the names of the old railway companies — the Philadelphia and Reading, the Erie, the Northern Pacific, the Union Pacific, the Atchison, Topeka and Santa Fe. However all those companies failed during the depression of 1893. Even back then the politicians lied, claiming the economy was prospering as 500 banks closed and 16,000 businesses declared bankruptcy.
Blurb for A Room in Blake’s Folly
(published by the Wild Rose Press)
If only the walls could speak…
In one hundred and fifty years, Blake's Folly, a silver boomtown notorious for its brothels, scarlet ladies, silver barons, speakeasies, and divorce ranches, has become a semi-ghost town. Although the old Mizpah Saloon is still in business, its upper floor is sheathed in dust. But in a room at a long corridor's end, an adventurer, a beautiful dance girl, and a rejected wife were once caught in a love triangle, and their secret has touched three generations.
Amazon Author Page :
Lance saw the woman doubled over in the dirt road, her legs bent backward and to each side of her in what looked to be an exceedingly painful position. Had she been hit by a car? Probably not: few enough cars passed this way. She might have had an attack of some sort. He loped toward her, thinking only of rescue and alleviating pain, because that’s what a veterinarian’s job is all about, and humans happen to be animals, too.
He was less than ten feet away, when she raised her head and glared at him with fury. The look, as toxic as a poison arrow, halted him in his tracks. She certainly didn’t look as though she needed his help. She didn’t look as though she’d ever need anyone’s help. “Um…I’m sorry. I saw you down there, in the road, and I thought…”
He saw her fury seep away, transform into visible regret. “You chased it away.”
Swinging her bent legs into a more reasonable position, she stood up without using her hands. For someone who wasn’t young, she looked to be in perfect shape. Or at least she had maintained an admirable flexibility.
He knew who she was, all right. Who else had a long bushy ponytail of silvery hair? Who else had three dogs trailing after her—three dogs now sitting calmly in the shade of the abandoned laundry and watching him, wary-eyed. They knew he was one of the vets who gave them shots every year, and that meant he was no real friend. The woman in front of him, what was her name? Lucy something…oh yes, Lucy Barnes, and she worked in Rose Badger’s vintage clothing shop whenever Rose roared off to Reno. For the first time, he noticed the camera.
“Look, I thought you had fallen or…”
“Yes, I realize that’s what you thought.” She didn’t look as though she were about to forgive him for it either.
“You were taking a photo?”
“Oh, sorry. A ground crab spider.”
“Of a ground crab spider?”
She relented slightly. “They’re called crab spiders because they look and move like crabs.”
“Yes,” he said dryly. “I think I’ve worked that one out.”
“What for? Why were you taking a photo?”
“Because I like them. I like macro photography, I like taking photos of spiders, and this particular spider was very pretty.”
“Pretty. Got it.”
She looked annoyed again. “Veterinarians don’t consider arachnids worthy of notice?”
“Did I just tell you that?” he said a little too defensively because she was right: he never noticed them. Okay, he never killed them either, because he knew how useful they were, but that was as far as things went. “What was particularly pretty about that one? I mean spiders look like spiders to me. I never thought aesthetics came into it.”
“Really?” She even looked surprised.
“Really.” Inwardly, he sighed, regretting his attempt to maintain chatty conversation. It was always the same when you dealt with nuts, cranks, and fanatics: they couldn’t understand how normal people functioned.
“Most crab spiders are brown-beige so they can blend into their surroundings and catch prey easily. They do have splotches though, and this one had a nice leaf marking on its opisthosoma.” She smirked. “Sorry, that’s the posterior part of the body. The front part is the—”
“Prosoma,” he interrupted.
The smirk faded and, wordlessly, she stared at him. It was his turn to be haughty. “Since you know I’m a veterinarian, you’ll probably accept that, in this century, we do go to school. And while we’re there, we manage to study a little science.”
“Sorry,” she said contritely.
“That’s all right.” He tried not to look too self-satisfied.
Writer, photographer, social critical artist, and storyteller, J. Arlene Culiner, was born in New York and raised in Toronto. She has crossed much of Europe on foot, has lived in a Hungarian mud house, a Bavarian castle, a Turkish cave dwelling, on a Dutch canal, and in a haunted house on the English moors. She now resides in a 400-year-old former inn in a French village of no interest and, much to local dismay, protects all creatures, especially spiders and snakes. She particularly enjoys incorporating into short stories, mysteries, narrative non-fiction, and romances, her experiences in out-of-the-way communities, and her conversations with strange characters.